The names may have been altered very slightly but there are no prizes for guessing that the V76 mimics the much sought after 1176N blackface. This probably has a lot to do with designer Greg Scotts background, coming up with modern high-end analogue hardware. Whilst not necessarily the most natural-sounding compressor ever, this would be missing the point — on dance music and all electronic styles, this one really comes into its own. Updated to the Pro-C 2 in 2015, the latest version added several welcome enhancements including another 5 compression algorithms Vocal, Bus, Mastering, Punch and Pumping , as well as 4x oversampling — making what was already one of the best and cleanest compressors available that much more useful as a precision dynamics tool. The All button mode is tamed with some parallel mixing: Side Chaining Another neat little feature that all these compressors share is the ability to take a side chain input. Of course, you can make it overshoot if you want that for a creative purpose. Elysia Mpressor An emulation of their own hardware processor again in collaboration with the busy guys at Brainworx , Elysia delivered a great plugin with Mpressor.
And if you like the single control approach, also check out. One of the reasons it took so long to develop the plugin is that it was clearly a labour of love, with many different variable-mu tube compressor designs analysed in order to come up with up with a plugin that incorporates all of the best aspects and nuances. The old 1176 worked on just about anything and always managed to make things sound a bit larger than life, as well as being good as a stereo limiter. And who wants to fiddle about with graphic knobs, and nostalgic backward-kicking meters! Which is put out by Steinberg, who are of course owned by Yamaha. Just something to watch out for.
Also I think the glue is excellent mostly because it has a double needle showing peak comp click on it. Their reputation in the industry is exceptional. The compressors includes much better presets to use, if you aren't very familiar with using compressors. I actually wish Native Instruments would have included more presets for specific instruments to give me a better starting point. Ideal for more gentle compression in situations where super-smoothness counts for more than in-yer-face aggressive processing.
All three emulations offer the full feature set of their analog hardware counterparts, with their sonic characteristics and intricacies authentically replicated through advanced analog component modeling. The three types complement each other well. As a touching parting gesture to the audio community that encouraged and supported him during his illness, he and Nomad Factory decided to make Bus Driver free to download, with the option of making a donation to help Nomad Factory continue on. These babies are ridiculously amazing! Now that these are stand-alone plug-ins, I am much more likely to use them on drums and vocals. Especially good on kickdrum, snare, bass or guitar. Eschewing any direct nods to vintage designs, Mpressor is a thoroughly modern compressor with a sleek interface and some smart features like Anti Log switches to an alternate release curve for instant pumping effects and the ability to set the compression ratio to negative values for some classy and highly usable dynamic effects.
Each compressor is also available separately. This information might be about you, your preferences or your device and is mostly used to make the site work as you expect it to. And that's before you get into using it in rack formation with other Guitar Rig effects. Click on the different category headings to find out more and change our default settings. Best known for its ability to add punch and attitude to drums and bass instruments, the 160 is still used across a wide range of musical styles. As I own many of these, I think this is a good list.
However, with the additional features on a dropdown panel and the option to fold away the main panel completely, it's certainly more flexible. Each compressor is also available separately. Their reputation in the industry is exceptional. There isn't a piece of music software tha. By opening up the lower section of any of the compressors we can see a side chain and mix control. There are only two variable controls — Gain and Peak Reduction — plus a switch that puts the compressor into Compress or Limit mode.
I received these plug-ins when I purchased. However, blocking some types of cookies may impact your experience of the site and the services we are able to offer. Great presence, punchy, clear high end. You can hear that the All button mode effect we created in the previous step is now toned down and a lot more subtle. Compressorbank meanwhile is similarly designed to emulate a whole range of modern and vintage compressors all from within the single interface. Soundtoys Devil-Loc Deluxe Certainly one of the best and most celebrated audio plugin ranges around, Soundtoys have just released a long-awaited update to their complete bundle with Soundtoys 5.
What it lacks in eye-candy interface, it certainly compensates for in usability and musicality. As you would expect from Universal Audio, all of this performance and nuance is captured in painstaking detail for their plugin versions. Typically this means that you have to have use two tracks to achieve this - one with a compressor, one without. These are used to track user interaction and detect potential problems. Parallel compression is a popular technique where an uncompressed version of the signal is mixed with the compressed version. Get That Pro Sound is here to help you make better music.
Download the Guitar Rig 4 Player which you want anyway! Official site page for and. But of course the plugin handles music very well, too, with control of attack, release, hold, knee etc. One interesting feature is the ability to switch the plugins detector circuit between feedback and feedforward modes, echoing the difference between more vintage circuitry and more modern designs. In these models, the compressor threshold is controlled by using the 'input' volume rather than having a separate threshold control. However, if you are more familiar with digital compressors than hardware compressors, the controls are a little different.
A great thing about these compressors as well as the Softube ones are there parallel compression options. They are two entirely different things with entirely different flavors. Also worth a mention is the , specifically designed to restore the dynamics of sounds that have been over-compressed… great for when you get a bit carried away : Official site. Developed in collaboration with Swedish plug-in maven Softube, Vintage Compressors recreates three classic hardware compressors. Anyway, if you update the list again…. The All mode at the top of the ratio slider.